In Campo San Maurizio, at number 2760, the classical-style palazzo that Dionisio Bellavite — a flour and oil merchant — had raised in the early 16th century on the site of the church’s old bell tower — in 1564 Bellavite was still paying a rent to San Maurizio for that demolished bell tower — has a secret that can no longer be seen: its façade was painted by Paolo Veronese — four coloured scenes and two in chiaroscuro of Roman history, among friezes of putti and allegorical figures — and nothing of that cycle remains, as of almost all the painted façades of Venice.