Along the Barbaria delle Tole — the calle (street) where timber, the ’tole’ (planks), once came ashore for a trade fragrant with resin and sparse voices — the facade of the Ospedaletto looms like a Baroque mask: giants and grotesque stone masks twist around the portal, signed by the overflowing imagination of Baldassare Longhena, with the giants by Giusto Le Court.